Hochschultage 2026

On 14 and 15 February 2026, the University of the Arts Bremen opens its doors for the Hochschultage. Over this weekend, students from the fields of Art, Design, Music, and Digital Media present their work, projects, and performances. Visitors are invited to explore studios, workshops, and ateliers and experience the unique atmosphere of the HfK.

Opening Hours

Saturday 14 February, 11am to 8pm
Sunday 15 February, 11am to 6pm

Programme

The time-based programme featuring performances, concerts, workshops, and guided tours can be found on the pages for Saturday and Sunday. In addition, all exhibitions, installations, and projects listed below are freely accessible throughout the opening hours.

Academic Counselling

Interested in studying at the HfK? During the Hochschultage, faculty and students offer personal counselling on study programmes, application requirements, and admissions. All counselling sessions take place without registration in Room 1.11.070. Short guided tours for prospective students are offered afterwards.

Saturday 14 February

midday to 1:30pm: General study counselling
1:30pm to 2:30pm: Digital Media, followed by a guided tour
3pm to 4pm: Fine Arts, followed by a guided tour
4:00pm to 4:30pm: Music
4:30pm to 5:30pm: Integrated Design, followed by a guided tour

Sunday 15 February

midday to 1pm: Integrated Design, followed by a guided tour
2pm to 3pm: Digital Media, followed by a guided tour
4pm to 5pm: Fine Arts, followed by a guided tour

In addition, the classes, studios, students, and faculty are happy to answer further subject-specific questions.

Getting around

The Hochschultage take place at two locations: Speicher XI (main building, Am Speicher XI 8) and Speicher XI A (at the end of Speicher XI).

Room numbers in Speicher XI follow the pattern Floor.Segment.Room. E.g. 2.11.080 means: Floor 2, Segment 11, Room 080. The first digit helps with orientation in the building.

Rooms in Speicher XI A are identified by hall numbers (Hall 1, 2, 3).

Room plan available for download

All Contributions

The following contributions are freely accessible throughout the opening hours.

Open all

can you not drop this for me, plz? – Alina Bardavid
Room 1.06.000 (Galerie L)
Installation with sound, AI-generated videos, and drawings, an exploration of the visceral between overload and fragility.
another <br> fast – Andrea Wapler
Room 1.06.000 (Galerie L)
Filmed performance with transformed objects that turn the exhibition space into an unusual breakfast experience.
One In A Million Daises – Delaina Hasca
Room 1.06.000 (Galerie L)
Interactive website inspired by the petal oracle: Across a field of one million daisies, users explore the influence of dating apps on human connections.
Transcendence – Elias Lopez
Room 1.06.000 (Galerie L)
A reinterpretation of pre-Hispanic cosmology in the 21st century, in which spirituality and culture are negotiated as concept and lifestyle.
earths. – Alevtina Senik
Room 1.06.000 (Galerie L)
Die Übergangsobjekte – Leon Albers, supervised by Dennis Paul
Room 1.07.060 (Unterricht 1)
The smartphone as a contemporary transitional object – does it displace classic comfort objects like stuffed animals, or does it reinterpret them?
Berühren dann sich verabschieden / learning to draw – Hechen Chuai, supervised by Ralf Baecker
Room 1.07.060 (Unterricht 1)
A vertically suspended conveyor belt made of water-writing fabric, driven by a stepper motor.
Diafanized – Elias Lopez
Room 1.07.060 (Unterricht 1)
Video mapping on three glass masks: How personality splits into different facets depending on the environment and the person opposite.
Niemarač/Немарач – Uladzislau Karotki, supervised by Peter von Maydell, Ralf Baecker
Room 1.07.060 (Unterricht 1)
Video about collective practices in Belarusian villages through communal singing. Song as a means to rethink alienation from space, time, and self.
Und dann gabs keines mehr – Haeil (Hyewon Park), supervised by Ralf Baecker
Room 1.07.060 (Unterricht 1)
A drawing machine that responds to wind in real time, visualising nature’s fury. Inspired by the devastating wildfire in South Korea in 2025.
Mirror To Mirror – Paul Schuster
Room 2.09.Hallway
A frame with a papier-mâché eye that moves a pupil via facial recognition and projects texts about the recognised faces onto the wall.
Sounding Board: Articulating MA Projects, supervised by Petra Klusmeyer
Room 2.09.010
Alparslan (Apo) Teke, Finn Geiger, Gabriella Serrano de Oliveira, Indrayudh Sengupta, Siyu Zhan, Jerónimo Gutiérrez Balanta, Hiu Yan Lee, Sara Elbarkouki
Artifacts from the MA projects, complemented by audio works from a dialogical live radio format about processes, experiences, and questions of artistic practice.
Sistema / Just Another Intelligence – Jacopo Casasola, Pietro Trallori, supervised by Ralf Baecker
Room 2.09.040
Multimedia installation for sound and light: an autonomous apparatus of luminous bodies and sonic presences that animates the space.
Audiovisuelle Artikulation, supervised by Icaro López De Mesa Moyano
Room 2.10.050
Amal Alatrash, Fares Baahmed, Vanessa Beifus, Hannah Erzsebet Blaufelder, Paul Bonnie, Lisa Diring, Kristina Edert, Arian Yazdani Esfahani, Julia Fabian, Ole Timon Fäthke, Eva Fischer, Luca Leander Gaus, Delaina Hasca, Ann-Sophie Johne, Grace Jacob Jacob, Hsuan-Ju Lee, Hanna Langenbrink, Malin Franca Meyer, Muhammad Muneeb, Yewon Mun, Arne Miko Osterhaus, Fabian Michael Rose, Dana Marit Sczuka, Hannah Pauline Schmiedel, Marie Christin Streb, Silja Malin Witt, Simon Wohlgemuth
Interactive installation of a collaboratively developed experimental game – visitors enter the room, interact, and move through an entertainingly absurd environment.
melody of tragedy – Hava Arsanova, Nadin Harms, supervised by Stefan Troschka
Room 2.10.090 (Audiolab)
An 8D audio staging of the painting Newgate: Committed for Trial by Frank Holl. Part of the group exhibition Gestaltung virtueller Klangräume.
Gestaltung virtueller Klangräume – Elena Seven, supervised by Stefan Troschka
Room 2.10.090
An auditory space that represents an escape scenario. Part of the group exhibition Gestaltung virtueller Klangräume.
The 8th Dimension – Mehrdad Mohtadi, supervised by Stefan Troschka
Room 2.10.090
A music piece in 3D soundscape that takes the listener on an interdimensional journey, created with instruments, samples, and ambisonics. Part of the group exhibition Gestaltung virtueller Klangräume.
Warmth – Leon Mathis Zupp, supervised by Stefan Troschka
Room 2.10.090
Ambient ambisonics music piece exploring warm sounds and spheres, with pop-cultural references and an accompanying video. Part of the group exhibition Gestaltung virtueller Klangräume.
Der Körper parallel zum Boden, muss der Abstand zum Himmel neu berechnet werden. – Hechen Chuai, supervised by Roland Kerstein
Room 2.11.080
Video in which the artist repeatedly falls while reading the Town Musicians of Bremen aloud. Like the four animals, many set out on a journey and find their destination along the way.
Error: Reality Not Found – Linh Nguyen
Room 2.11.080
Experimental collage and stop-motion animation about the fragile boundary between real life and digital space.
If we play cat’s cradle, could we understand each other? – Hye-won Park
Raum: 2.11.080
Sprachdekonstruktion: Screening – Yewon Mun
Room 2.11.080
Interactive installation of video and Hanji sculpture. By touching an ‘ear-hand sculpture,’ the viewer heals a visually and acoustically destroyed video about distance, LLMs, and emotional closeness.
Fragmented Self – Vincent Beifus
Room 2.11.Hallway
Wall work about identity in digital space: A body dissolves through glitches, pixels, and distortions and reassembles itself.
JUNI – Max Lohmeier, Paulina Krug, supervised by Dennis Paul
Room 2.11.Hallway
Animation of 30 short animations, alternately and independently programmed, displayed on two RGB LED matrices.
Untitled Works – Thibaut Gousse
Room 2.11.Hallway
Just Another Intelligence, supervised by Ralf Baecker
Room 2.11.100
Shanning Wan, Hsi Chen, Seongjoo Moon, Randy Moreno Limonta, Yuna Shin, Nastasja Steinhauer, Oscar Peña Kläschen, Nico Daniel Gaupp, Siyu Zhan, Soo Hyun Ryu, Haram Choi, Andrea Wapler, Alban Rumpf, Hyewon Park, Aysen Kocakabak, Jaeeun Kim, Johanna Hiege, Pietro Trallori, Jacopo Casasola, Jerónimo Gutiérrez Balanta
Group exhibition on non-human and posthuman perspectives on intelligence: from synthetic cognition and plant sentience to machine perception and swarm behaviour.
Die Bremer Stadtmusikanten (Self-Portrait) – Seongjoo Moon
Room 2.11.100
This project transforms discarded household appliances into sound sculptures. Each object responds to the sounds of the others, performing according to feedback and algorithms, much like a jazz band.
Wave, River – Seongjoo Moon
Room 2.11.Kitchen
New series of toy instruments for children, as a further development of Mischief (Hochschultage 2025).
Fragile Forms – Katja Striedelmeyer, Julia Vollmer, supervised by Ralf Baecker
Room 2.13.Hallway
AI-generated images based on 224 macro photographs of peat mosses, grown under simulated future ecological conditions.
Chief Executive Girls – Aleksandra Mitrović, Alethia Pinzón-Rodríguez, supervised by Ralf Baecker
Room 3.09.035
Video to frames on receipt printer, pole, and soundscape.
a shift has been registered, a shift has been traced – Aditi Chauhan
Room 3.10.020
Multimedia immersive installation with radio, textile, and text, an exploration of ephemeral fossilisation and chaotic interactivity.
garden of forking paths – Timon Bohn, supervised by Dennis Paul
Room 3.10.020
Sculptural installation with thermochromatic surface beneath 16 heat-resistant panels: Through voltage and resistance, the colour transforms from black to transparent.
C5(F4) – Hiu Yan Lee, supervised by Petra Klusmeyer
Room 3.11.020
Acoustic installation about the conflict between body and discipline, starting from learning a brass instrument and linguistic barriers.
Tissue Voltage – Hiu Yan Lee
Room 3.11.020
Coffee Cup – Cha Jeemyung
Room 4.15.030 (Café Lu)
A cup with a saucer.

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Class Ingo Vetter – Sculpture with Classical Materials
Hall 2, Speicher XI
A class exhibition with individual works.
Class Julika Rudelius – Time-Based Art
Room 1.12.040, 1.12.060, 1.12.070, 1.12.080, 1.12.100
Class exhibition of time-based art.
Class Katrin von Maltzahn – Drawing / Painting Room
1.11.090, 3.14.060, 3.14.Hallway, 4.16.Hallway
Class exhibitions in several studio spaces with wall painting in the corridor area.
Soft bending(s) – maneuvering slipping ground – Free Class / Class Emma Waltraud Howes
Room 1.15.020, 2.16.040
Sculpture and installation. Atmospheric soundscapes, performances, and pop-ups, a durational event of the Free Class.
Class Setareh Shahbazi – Intermedial Photography
Room 1.15.070
A class exhibition with individual works.
Class Natascha Sadr Haghighian – Sculpture
Room 1.15.090
A class exhibition with individual works.
Take off – Kaito Morita, supervised by Anton Vasilyev
Room 2.10.090 (Audiolabor)
Sound piece from the course ‘Electroacoustic Music and Sound Art.’ Part of the group exhibition Gestaltung virtueller Klangräume.
Class Steffen Zillig (Korpys/Löffler) – Personal hygiene and time-based apocalypticism
Room: 3.14.050, 3.14.090, 3.14.100, 3.14.Corridor
Looking good in the apocalypse
Group exhibition with exquisite individual works
Class Vincent Haynes – Painterly Practice
Room 3.16.030, 3.16.090
A class exhibition with individual works.
Class Kati Barath – Figurative Painting
Room 3.16.070, 3.16.060, 3.16.Hallway
Bedirhan Arslan, Bissan Badran, Alex Brose, Valerie Buchholz, Paula Freitag, Johannes Graf, Anastasiia Guzenkova, Bahareh Hejrankeshrad, Sihle Inensiko, Haruka Mogi, Kaito Morita, Zane Ngwenya, Julian Nieschalk, Paul Effer, Negar Rezapour, John Sempe, Jo Szymanski, Michael Wies, Johanna Maria Winkler, Bingyao Xu, Enrui Zhang (Guest)
Current paintings, drawings, and animations.

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Final Final – Bachelor and Master Graduates
Hall 1, Speicher XI A
For the first time, thesis works from the Integrated Design programme are presented to the public in a large exhibition in Hall 1 of Speicher XI A as part of the Hochschultage. All contributions on the Final Final event page.
Möbel Mode Mailand... oder schon wieder Körbe?, supervised by Alexander Sahoo, Ursula Zillig
Hall 2, Speicher XI
A Bianca Belck, Felix Depping, Emilia Marie Drückler, Jacqueline Anne Hagan, Ida Marie Hessenius, Annika Hollmichel, Hyobin Kim, Mika Henrieke Kross, Emily Kullik, Leonie Noss, Marlene Ostertag, Zara Elektra Dagmar Schnee, Clara Rosina Schuster, Elisha Somersett, Jana Ayleen Steiniger, Alia Tasler
Woven products and objects made from natural materials.
Microbial Experiments – Rosanna Geisler, supervised by Ursula Zillig, Dorothea Mink
Hall 2, Speicher XI
A Experimental explorations of the form and theory of microorganisms. How can abstract knowledge about microorganisms be communicated to laypeople? A project between science and design.
Das Gefühl eines Motorrads – Jan Meißner, supervised by Peter von Maydell
Hall 3, Speicher XI A
Design of a motorcycle-rider symbiosis that translates the riding experience into a new functionality.
Erste Hilfe 2025 – Yurim Lee, Liz Rusche, supervised by Jasper Eisenecker, Insa Deist, Hjördis Behncken
Room 1.04.010 (C.A.T.E.)
The situatedness of the HfK in the Überseestadt: historical research on the harbor and colonialism.
Schwarzer Markt für rote Bücher: Bremen, supervised by Tania Prill, Jasper Eisenecker, Tim Schöning
Room 1.04.100 (C.A.T.E.)
Anika Hagedorn, Janne Paula Hecker, Lukas Hoppe, Yonca Floria Hadassa Jakubowski, Lenya Johanning, Kim Jaehyung, Anna-Lena Klier, Finn Knutzen, Mira Alina Langer, Olivia Sortelha Smith Müller, Nadja Reinhart, Joana Rohde, Yannik Roswora, Lili Schnitger, Finja Tineke Schulze Buschoff, Hana Yumi Thomann, Lina Walk
A project about ‘alternative’ forms of literature and book production: pirate printing. With archival material from the Bremen State and University Library.
Hyper Hyper, supervised by Jasper Eisenecker
Room 1.04.100 (C.A.T.E.)
Josefine Niederlücke, Alea Pfeiffer, Dagmar Marion Wolf, Helen Hlif Klinge, Lea Martens, Yaroslav Dykusov, Ella Dehn, Paula Tschach, Lilian Emma Emcken, Jiaqi Zhao, Nasli Alizad Hamed, Victoria Lotz, Josha Ben Rasten, Leila Choriatopoulos
The kiosk as a typographic hyper-display, explored through experiments and an excursion to Hannover-Linden.
Brückenschrift – Thu Giang Ngo, supervised by Tania Prill
Room 1.04.100 (C.A.T.E.)
A contemporary antiqua typeface as a bridge between German typographic tradition and Vietnamese typography, inspired by Renner Antiqua and Fraktur.
METAPHYSICAL DESIGN – Cedric Müller, supervised by Andrea Rauschenbusch, Tania Prill
Room 1.04.100 (C.A.T.E.)
A critical examination of design discourse: What happens when design wants to shape the entire world?
Illustration Générale, supervised by Samuel Nyholm
Room 1.07.040, 1.07.070, 1.07.080
Drawings, paintings, and installations from the illustration class, from the courses Mathematical Superheroes and The Shadow as well as free works.
Whisk Away, supervised by Samuel Nyholm
Room 1.07.080
Martha Remus, Chaewon Kim, Nele Mohr, Lilly Alicia Günther, Luca Storchdorf, Julika Marlene Kohler, Saeyeon Kim, Bomi Son, Jannik Reimer
Collaborative animation on the theme of ‘dream’ by 10 students, shown as a loop on a television.
Excerpts from the Field Trip to Chisinau, supervised by Andrea Diefenbach
Room 1.11.030, 1.11.Hallway
Madita Lotta Böttcher, Lina Brockob, Forough Chamanara, Felicia Cheison, Antonia Ernsing, Elisaveta Firsova, Sina Gießner, Myroslava Huk, Anna Kreitsmann, Maya Levine, Talia Ölker, Jan Poppinga, Lara Rau, Jana Reinl, Jorma Rohlfs, Mika Störkel, Helen Vey, Luis Volkmar, Alina Antonia Weimar, Tilman Werum, Natasza Wronska
Photographic series created during a two-week excursion to the Republic of Moldova.
Learning from the Vernacular: Pop, Art and the City, supervised by Annette Geiger
Room 1.11.070
Group exhibition with practical and theoretical results from the theory seminar of the same name.
Photographs on the Theme of ‘Comfort’, supervised by Andrea Diefenbach
Room 1.13.080 (Photo Studio), 1.13.Flur, 1.13.090
Madita Lotta Böttcher, Lina Brockob, Forough Chamanara, Felicia Cheison, Antonia Ernsing, Elisaveta Firsova, Sina Gießner, Myroslava Huk, Anna Kreitsmann, Maya Levine, Talia Ölker, Jan Poppinga, Lara Rau, Jana Reinl, Jorma Rohlfs, Mika Störkel, Helen Vey, Luis Volkmar, Alina Antonia Weimar, Tilman Werum, Natasza Wronska
Semester results on the theme of ‘comfort,’ created as part of the BredaPhoto Talent Program.
Fundamentals of Product Design, supervised by Andreas Kramer
Room 1.14.070 (Model Workshop)
David Dücker, Enna Sophie John, Emily Kullik, Hanna Langenbrink, Xinyi Ji
Stools and candleholders made of silver, created in the course ‘Fundamentals of Product Design.’
KunstNatur – Leontien Kay, supervised by Dorothea Mink, Alexander Sahoo, Anja Engelke, Wenzel Stählin
Room 2.13.Hallway
Inspired by the natural history museum: animal dioramas and specimens as a starting point for a design-based exploration of habitats.
Plant Flower – Keumjung Roh, supervised by Tania Prill, Asli Serbest
Room 3.10.Hallway
A project at the intersection of illustration and web coding.
Geometry & Design, supervised by Oliver Niewiadomski
Room 3.10.090
Student works from various courses on geometry and design: SMALLspaces, NEWviews, and individual projects.
Restriction and Desire – Fatemeh Gilanian, supervised by Ursula Zillig
Room 3.11.Hallway
Interactive objects made of ceramics and wood that invite the audience to explore.
Fashion & Accessories, supervised by Kai Lehmann
Room 3.12.070
Exhibition of fashion and accessories (hats) in the faculty atelier.
PAL Chair – the first dozen goes into production – Jakob Tornau, supervised by Alexander Sahoo
Room 3.13.010
The PAL Chair goes into manufactural production: CNC-bent frames, hand-sanded seats made of ash and walnut.
Einstellung zum Selbst, supervised by Florian Wüst
Room 3.13.070, 3.13.Hallway
Emma Bohne, Sive Marlene Chambers, Jeesoo Cheong, David Dücker, Elizaveta Firsova, Eva Fischer, Lilli Fischer, Joel Hafemann, Glen Maria Heintzmann-Menzel, Luis Janßen, Johann Köfer, Luka Corinna Krause, Lilith Krausz, Bomnarae Lee, Ricardo Joshua Meyer, Rana Minavi, Elisa Ongko Waloejo, Karl Friedrich Rummel, Paula Sophie Schramm, Helge Gerridt Sieling, Sergej Smirnov, Anton Söffing, Alia Tasler, Katharina Whittome
Film works from the creative practice course, a project of the Moving Image teaching area.
3D Design, Products, Systems, Experiments, Fundamentals, supervised by Detlef Rahe, Jonas Lang, Janina Ebner, Jakob Grommas, Viktoria Dietz
Room 3.13.090
Selection of works from the 3D Design teaching area, from foundational exercises to experiments and thesis projects.
Various Prints – Karoline Ketelhake
Room 3.15.Hallway
Etchings, linocuts, screen prints, and stone lithographs.
EXPERIMENT BETWEEN HUMAN AND AIR AND SKY, supervised by Dorothea Mink
Room 4.10.040, 4.10.Hallway
Jeesoo Cheong, Karoline Debold, Lilli Fischer, Glen Maria Heintzmann-Menzel, Luka Corinna Krause, Hanna Langenbrink, Bomnarae Lee, Melissa Maring, Narin Mohammadi, Emil Muschler, Marana Potzkai, Tamar Shalom Shachar
Choreography of wind and movement. Cooperation project with Austrian kite builder Anna Rubin. Self-built kites and performative installations.
Do you see my feelings? – Melika Ghashghaee, supervised by Ursula Zillig
Room 4.12.Hallway
Six accessories made of ceramics and embroidery, based on illustrations of personal emotions, three negative and three positive.
Just laugh it off – Jaehee Yoo, supervised by Tania Prill
Room T.2.08 (Stairwell)
Poster series that satirises life as a foreigner and immigration, inspired by memes.

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Fahrradkultur / Bicycle Culture, supervised by Peter von Maydell, Alexander Sahoo
Hall 3, Speicher XI A
Pascal Christiansen, Milo Krzywicka, Saeareum Park, Paul Michael Schuster, Anastasia Shcherbakova, Vadym Shvedov, Haowen Tan, Xin Tong, Yustyna-Iryna Tulchynska, Elias Johannes Wälz, Haizhen Wang, Vanessa Elisabeth Ehmann, Jeemyung Cha, Dani Niehaus, Randy Moreno Limonta, Md. Samiul Karim, Prokash Karmokar, Omar Zaki, Sunny Singh, Dilshan Manane Hewage Pramodya, Dariia Karpenchuk, Tsao Shu-Cheng, Zhifei Chen, Maik Frahm, Finn Herzog, Paul Kühling, Gerda Kusche, Raeheon Lee, Linda Müller, Jihyeon Park, Ruijie Li
Cross-programme course (ID and DM): Students design with their diverse competencies around the theme of bicycle culture.
Group Exhibition Interaction Design and Fundamentals of Design Digital Media, supervised by Tanja Diezmann
Room
2.10.080
Results from the courses Interaction Design and Fundamentals of Design Digital Media.
Poop Art – Anja Engelke, Judith Lena Bartels
Room 2.13.Hallway
An engagement with art history and authorship: At the centre are the brightly coloured droppings of caterpillars as a starting point for artistic work.
Überseestadtprojekt, supervised by Anja Engelke, Wenzel Stählin
Room 2.13.Hallway
Photographic documentation of the rapidly changing Überseestadt: Who can participate? What architectures and spaces are emerging?
TRAM 6 – rachael rosen, supervised by Lea Letzel
Room 3.11.030
Performative photography from bus and tram.
Traumbüro – Santiago Badt Pereiro, supervised by Lea Letzel
Room 3.11.030
The Traumbüro (Dream Office) is an open, experimental project based on institutional fiction. Through a variety of different and decentralised formats – temporary office, archive, radio programme, and participatory interventions – it collects and activates dreams as access to unconscious social experiences and uses them to engage with a crisis-ridden present and design alternative forms of coexistence.
Grip – Harry Kuhlmann, supervised by Lea Letzel Room
3.12.090
Audio installation, soundscape from recordings in a 7-minute loop. Works with the phenomenon of beating: interference of slightly detuned frequencies creates audible vibrations. Layers overlap, creating moments of instability and clarity. Presented as a work in progress.
‘tell me how you feel about water’ – Thinking with water, supervised by Mona Schieren, Carolin M. Brendel, Natascha Merckens
Room 4.13.Hallway (Carpet Segment)
Theoretical seminar that uses water as a conceptual and material lens to critically examine relationality, entanglement, and intra-activity.

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In addition to the exhibitions, there are sales stands at various locations throughout the HfK where students offer their own work.
nicht rund genug, supervised by Ute Alexandra Fischer
Room 1.16.030 (Ceramics Workshop)
Shop for ceramic and art objects.
Digital Media Supermarkt
Room 3.09.010, 3.09.020
Shop with various products by Digital Media students.
Merch Market, supervised by Andrea Alvarez Ortiz
Room 3.09.010
Market with handmade works in ceramics and printmaking.
Illu Markt
Room 3.10.070 (3D Workshop)
Artists’ mile where HfK students and alumni sell illustrations: originals, art prints, magazines, stickers, and more.
Love in colours – Anastasiia Guzenkova, Bissan Badran
Room 3.15.Hallway
Sale of own works: sculptures, T-shirts, prints, and books.
Ceramic Kitchen – Michael Weis, Harumi Miyato, Kaori Tomita, Haruka Mogi
Room 3.15.Kitchen
Collective ceramics sales stand with handmade ceramic works.
Selling post cards and ceramics – Negar Rezapour, Bedirhan Arslan, supervised by Heike Kati Barath Room 3.16.Flur Sale of artworks from the semester: postcards and ceramics.

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Directions & public transport

Hochschule für Künste Bremen Am Speicher XI 8, 28217 Bremen

Use BSAG public transport to reach the HfK Bremen:

Tram line 3 and Bus 26 to Waller Ring
Bus 28 to Hochschule für Künste
Bus 26 or Bus 28 to Überseetor

Free parking is available on site. Please note that the number of parking spaces is limited.

For further contact information, visit our contact page.

accessibility

Speicher XI
The HfK has limited accessibility at its Speicher XI location. The university has four floors, which are accessible via two lifts. There is an accessible toilet on floors 1 and 4. There is a designated disabled parking space at the entrance with a ramp.

Speicher XI A
The HfK is accessible at the Speicher XI A location. Access to Speicher XI A is at ground level. The two levels are fully accessible via a lift between halls 2 and 3. An accessible toilet is located on the ground floor between halls 1 and 2.

Food & Drinks

Catering is provided: Mensa13 offers two vegetarian dishes. Café Lu serves coffee, drinks and cakes.

Awareness

We want all visitors to feel comfortable during the University Open Days. That is why an awareness team from L’Unita will be on site throughout the event. The team is the point of contact for anyone who needs support or has been affected by inappropriate behaviour, whether sexual, racist or other forms of discriminatory violence.

Team members can be recognised by their purple vests and are available to talk to at any time. Contact can also be made via the reception, Café Lu, Bar Lu or Mensa13.